Thomas Mann by Wislawa Szymborska

Dear mermaids, it was bound to happen.
Beloved fauns and honourable angels,
evolution has emphatically cast you out.
Not that it lacks imagination, but
you with your Devonian tail fins and alluvial breasts,
your fingered hands and cloven feet,
your arms alongside, not instead of, wings,
your, heaven help us, horns sprouted out of spite,
illegitimate beaks, this morphogenetic potpourri, those
finned or furry frills and furbelows, the couplets
pairing human/heron with such cunning
that their offspring knows all, is immortal, and can fly,
you must admit that it would be a nasty joke,
excessive, everlasting, and no end of bother,
one that mother nature wouldn't like and won't allow.

And after all she does permit a fish to fly,
deft and defiant.  Each such ascent
consoles our rule-bound world, reprieves it
from necessity's confines--more
than enough for the world to be a world.

And after all she does permit us baroque gems
like this: a platypus that feeds its chicks on milk.
She might have said no--and which one of us would know
that we'd been robbed?

                    But the best is that
she somehow missed the moment when a mammal turned up
with its hand miraculously feathered by a fountain pen.

Returning Birds by Wislawa Zsymborska

This spring the birds came back again too early.

Rejoice, O reason: instinct can err, too.

It gathers wool, it dozes off -- and down they fall

into the snow, into a foolish fate, a death

that doesn't suit their well-wrought throats and splendid claws,

their honest cartilage and conscientious webbing,

the heart's sensible sluice, the entrails' maze,

the nave of ribs, the vertebrae in stunning enfilades,

feathers deserving their own wing in any crafts museum,

the Benedictine patience of the beak.

This is not a dirge -- no, it's only indignation.

An angel made of earthbound protein,

a living kite with glands straight from the Song of Songs,

singular in air, without number in the hand,

its tissues tied into a common knot

of place and time, as in an Aristotelian drama

unfolding to the wings' applause,

falls down and lies beside a stone,

which in its own archaic, simpleminded way

sees life as a chain of failed attempts.

On Death, Without Exaggeration by Wislawa Szymborska

It can't take a joke, 
find a star, make a bridge. 
It knows nothing about weaving, mining, farming, 
building ships, or baking cakes.
In our planning for tomorrow, 
it has the final word, 
which is always beside the point.

It can't even get the things done 
that are part of its trade: 
dig a grave, 
make a coffin, 
clean up after itself.

Preoccupied with killing, 
it does the job awkwardly, 

without system or skill. 
As though each of us were its first kill.

Oh, it has its triumphs, 
but look at its countless defeats, 
missed blows, 
and repeat attempts!

Sometimes it isn't strong enough 
to swat a fly from the air. 
Many are the caterpillars 
that have outcrawled it.

All those bulbs, pods, 
tentacles, fins, tracheae, 
nuptial plumage, and winter fur 
show that it has fallen behind 
with its halfhearted work.

Ill will won't help 
and even our lending a hand with wars and coups d'etat 
is so far not enough.

Hearts beat inside eggs. 
Babies' skeletons grow. 
Seeds, hard at work, sprout their first tiny pair of leaves 
and sometimes even tall trees fall away.

Whoever claims that it's omnipotent 
is himself living proof 
that it's not.

There's no life 
that couldn't be immortal 
if only for a moment.

Death
always arrives by that very moment too late.

In vain it tugs at the knob 
of the invisible door. 
As far as you've come 
can't be undone. 

Nothing Twice by Wislawa Szymborska

Nothing can ever happen twice.
In consequence, the sorry fact is
that we arrive here improvised
and leave without the chance to practice. 

Even if there is no one dumber,
if you’re the planet’s biggest dunce,
you can’t repeat the class in summer:
this course is only offered once. 

No day copies yesterday,
no two nights will teach what bliss is
in precisely the same way,
with precisely the same kisses. 

One day, perhaps some idle tongue
mentions your name by accident:
I feel as if a rose were flung
into the room, all hue and scent. 

The next day, though you’re here with me,
I can’t help looking at the clock:
A rose? A rose? What could that be?
Is it a flower or a rock? 

Why do we treat the fleeting day
with so much needless fear and sorrow?
It’s in its nature not to stay:
Today is always gone tomorrow. 

With smiles and kisses, we prefer
to seek accord beneath our star,
although we’re different (we concur)
just as two drops of water are. 

The End and the Beginning by Wislawa Zsymborska

After every war

someone has to clean up.

Things won’t

straighten themselves up, after all.

Someone has to push the rubble

to the side of the road,

so the corpse-filled wagons

can pass.

Someone has to get mired

in scum and ashes,

sofa springs,

splintered glass,

and bloody rags.

Someone has to drag in a girder

to prop up a wall.

Someone has to glaze a window,

rehang a door.

Photogenic it’s not,

and takes years.

All the cameras have left

for another war.

We’ll need the bridges back,

and new railway stations.

Sleeves will go ragged

from rolling them up.

Someone, broom in hand,

still recalls the way it was.

Someone else listens

and nods with unsevered head.

But already there are those nearby

starting to mill about

who will find it dull.

From out of the bushes

sometimes someone still unearths

rusted-out arguments

and carries them to the garbage pile.

Those who knew

what was going on here

must make way for

those who know little.

And less than little.

And finally as little as nothing.

In the grass that has overgrown

causes and effects,

someone must be stretched out

blade of grass in his mouth

gazing at the clouds.

I'm Working on the World by Wislawa Zsymborska

I'm working on the world,
revised, improved edition,
featuring fun for fools,
blues for brooders,
combs for bald pates,
tricks for old dogs.

Here's one chapter: The Speech
of Animals and Plants.
Each species comes, of course,
with its own dictionary.
Even a simple "Hi there,"
when traded with a fish,
make both the fish and you
feel quite extraordinary.

The long-suspected meanings
of rustlings, chirps, and growls!
Soliloquies of forests!
The epic hoot of owls!
Those crafty hedgehogs drafting
aphorisms after dark,
while we blindly believe
they are sleeping in the park!

Time (Chapter Two) retains
its sacred right to meddle
in each earthly affair.
Still, time's unbounded power
that makes a mountain crumble,
moves seas, rotates a star,
won't be enough to tear
lovers apart: they are
too naked, too embraced,
too much like timid sparrows.

Old age is, in my book,
the price that felons pay,
so don't whine that it's steep:
you'll stay young if you're good.
Suffering (Chapter Three)
doesn't insult the body.
Death? It comes in your sleep,
exactly as it should.

When it comes, you'll be dreaming
that you don't need to breathe;
that breathless silence is
the music of the dark
and it's part of the rhythm
to vanish like a spark.
Only a death like that. A rose
could prick you harder, I suppose;
you'd feel more terror at the sound
of petals falling to the ground.

Only a world like that. To die
just that much. And to live just so.
And all the rest is Bach's fugue, played
for the time being
on a saw.

Born by Wislawa Zsymborksa

So this is his mother.

This small woman.

The gray-eyed procreator.

The boat in which, years ago,

he sailed to shore.

The boat from which he stepped

into the world,

into un-eternity.

Genetrix of the man

with whom I leap through fire.

So this is she, the only one

who didn’t take him 

finished and complete.

She herself pulled him

into the skin I know,

bound him to the bones 

that are hidden from me.

She herself raised

the gray eyes

that he raised to me.

So this is she, his Alpha.

Why has he shown her to me.

Born.

So he was born, too.

Born like everyone else.

Like me, who will die.

The son of an actual woman.

A new arrival from the body’s depths.

A voyager to Omega

Subjed to 

his own absence,

on every front,

at any moment.

He hits his head 

against a wall

that won’t give way forever.

His movements 

dodge and parry

the universal verdict.

I realized 

that his journey was already halfway over.

But he didn’t tell me that,

no.

“This is my mother.”

was all he said.

Utopia by Wislawa Zsymborska

Island where all becomes clear.

Solid ground beneath your feet.

The only roads are those that offer access.

Bushes bend beneath the weight of proofs.

The Tree of Valid Supposition grows here

with branches disentangled since time immemorial.

The Tree of Understanding, dazzlingly straight and simple,

sprouts by the spring called Now I Get It.

The thicker the woods, the vaster the vista:

the Valley of Obviously.

If any doubts arise, the wind dispels them instantly.

Echoes stir unsummoned

and eagerly explain all the secrets of the worlds.

On the right a cave where Meaning lies.

On the left the Lake of Deep Conviction.

Truth breaks from the bottom and bobs to the surface.

  

Unshakable Confidence towers over the valley.

Its peak offers an excellent view of the Essence of Things.

For all its charms, the island is uninhabited,

and the faint footprints scattered on its beaches

turn without exception to the sea.

As if all you can do here is leave

and plunge, never to return, into the depths.

Into unfathomable life.

View With a Grain of Sand by Wislawa Zsymborksa

We call it a grain of sand,

but it calls itself neither grain nor sand.

It does just fine, without a name,

whether general, particular,

permanent, passing,

incorrect, or apt.

Our glance, our touch means nothing to it.

It doesn't feel itself seen and touched.

And that it fell on the windowsill

is only our experience, not its.

For it, it is not different from falling on anything else

with no assurance that it has finished falling

or that it is falling still.

The window has a wonderful view of a lake,

but the view doesn't view itself.

It exists in this world

colorless, shapeless,

soundless, odorless, and painless.

The lake’s floor exists floorlessly,

and its shore exists shorelessly.

The water feels itself neither wet nor dry

and its waves to themselves are neither singular nor plural.

They splash deaf to their own noise

on pebbles neither large nor small.

And all this beneath a sky by nature skyless

in which the sun sets without setting at all

and hides without hiding behind an unminding cloud.

The wind ruffles it, its only reason being

that it blows.

A second passes.

A second second.

A third.

But they’re three seconds only for us.

Time has passed like courier with urgent news.

But that’s just our simile.

The character is inverted, his haste is make-believe,

his news inhuman.

Conversation with a Stone by Wislawa Szymborska

I knock at the stone's front door

"It's only me, let me come in.

I want to enter your insides,

have a look round,

breathe my fill of you."

"Go away," says the stone.

"I'm shut tight.

Even if you break me to pieces,

we'll all still be closed.

You can grind us to sand,

we still won't let you in."

I knock at the stone's front door.

"It's only me, let me come in.

I've come out of pure curiosity.

Only life can quench it.

I mean to stroll through your palace,

then go calling on a leaf, a drop of water.

I don't have much time.

My mortality should touch you."

"I'm made of stone," says the stone.

"and must therefore keep a straight face.

Go away.

I don't have the muscles to laugh."

I knock at the stone's front door.

"It's only me, let me come in.

I hear you have great empty halls inside you,

unseen, their beauty in vain,

soundless, not echoing anyone's steps.

Admit you don't know them well yourself."

"Great and empty, true enough," says the stone,

"but there isn't any room.

Beautiful, perhaps, but not to the taste

of your poor senses.

You may get to know me but you'll never know me

through.

My whole surface is turned toward you,

all my insides turned away."

I knock at the stone's front door.

"It's only me, let me come in.

I don't seek refuge for eternity.

I'm not unhappy.

I'm not homeless.

My world is worth returning to.

I'll enter and exit empty-handed.

And my proof I was there

will be only words,

which no one will believe."

"You shall not enter," says the stone.

"You lack the sense of taking part.

No other sense can make up for your missing sense of

taking part.

Even sight heightened to become all-seeing

will do you no good without a sense of taking part.

You shall not enter, you have only a sense of what that

sense should be,

only its seed, imagination."

I knock at the stone's front door.

"It's only me, let me come in.

I haven't got two thousand centuries,

so let me come under your roof."

"If you don't believe me," says the stone,

"just ask the leaf, it will tell you the same.

Ask a drop of water, it will say what the leaf has said.

And, finally, ask a hair from your own head.

I am bursting from laughter, yes, laughter, vast laughter,

although I don't know how to laugh."

I knock at the stone's front door.

"It's only me, let me come in."

"I don't have a door," says the stone.

Water by Wislawa Szymborska

A drop of water fell on my hand,

drawn from the Ganges and the Nile,

from hoarfrost ascended to heaven off a seal's whiskers,

from jugs broken in the cities of Ys and Tyre.

On my index finger

the Caspian Sea isn't landlocked,

and the Pacific is the Rudawa's meek tributary,

that same stream that floated as a little cloud over Paris

in the year seven hundred and sixty-four

on the seventh of May at three a.m.

There are not enough mouths to utter

all your fleeting names, O water.

I would have to name you in every tongue

pronouncing all the vowels at once

while also keeping silent–for the sake of the lake

that still goes unnamed

and doesn’t exist on this earth, just as the star

reflected in it is not in the sky.

Someone was drowning, someone dying was

calling out for you. Long ago and, yesterday.

You have saved houses from fire, you have carried off

houses and trees, forests and towns alike.

You’ve been in christening fonts and courtesan’s baths.

In coffin and kisses.

Gnawing stone, feeding rainbows,

In the sweat and the dew of the pyramids and lilacs.

How light the raindrop's contents are.

How gently the world touches me.

Whenever wherever whatever has happened

Is written down on the waters of Babel.

Bat by D.H. Lawrence

At evening, sitting on this terrace, 

When the sun from the west, beyond Pisa, beyond the mountains of Carrara 

Departs, and the world is taken by surprise ... 

When the tired flower of Florence is in gloom beneath the glowing 

Brown hills surrounding ... 

When under the arches of the Ponte Vecchio 

A green light enters against stream, flush from the west, 

Against the current of obscure Arno ... 

Look up, and you see things flying 

Between the day and the night; 

Swallows with spools of dark thread sewing the shadows together. 

A circle swoop, and a quick parabola under the bridge arches 

Where light pushes through; 

A sudden turning upon itself of a thing in the air. 

A dip to the water. 

And you think: 

"The swallows are flying so late!" 

Swallows? 

Dark air-life looping 

Yet missing the pure loop ... 

A twitch, a twitter, an elastic shudder in flight 

And serrated wings against the sky, 

Like a glove, a black glove thrown up at the light, 

And falling back. 

Never swallows! 

Bats! 

The swallows are gone. 

At a wavering instant the swallows gave way to bats 

By the Ponte Vecchio ... 

Changing guard. 

Bats, and an uneasy creeping in one's scalp 

As the bats swoop overhead! 

Flying madly. 

Pipistrello! 

Black piper on an infinitesimal pipe. 

Little lumps that fly in air and have voices indefinite, wildly vindictive; 

Wings like bits of umbrella. 

Bats! 

Creatures that hang themselves up like an old rag, to sleep; 

And disgustingly upside down. 

Hanging upside down like rows of disgusting old rags 

And grinning in their sleep. 

Bats! 

In China the bat is symbol for happiness.

Not for me!