All Greece hates
the still eyes in the white face,
the lustre of the olives
where she stands,
and the white hands.
All Greece reviles
the wan face when she smiles,
hating it deeper still
when it grows wan and white,
remembering past enchantments
and past ills.
Greece sees unmoved,
God's daughter, born of love,
the beauty of cool feet
and slenderest knees,
could love indeed the maid,
only if she were laid,
white ash amid funereal cypresses.
the still eyes in the white face,
the lustre of the olives
where she stands,
and the white hands.
All Greece reviles
the wan face when she smiles,
hating it deeper still
when it grows wan and white,
remembering past enchantments
and past ills.
Greece sees unmoved,
God's daughter, born of love,
the beauty of cool feet
and slenderest knees,
could love indeed the maid,
only if she were laid,
white ash amid funereal cypresses.
NOTE: Like Joan of Arc, Helen, immobilized and silenced, is an object of worship. Alive, she was an object of hatred, a threat to the dominant culture ruled by men. As statue or symbol, she is safely controlled by the tradition that defines her through its art. What seems to be an adoration of woman, H.D. says, is rooted in reality in a hatred for the living woman who has the capacity to speak for herself. P.S. Helen was the result of the rape of Leda by Zeus. See poem below.
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